| "Not Fade Away" | |||
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| Angel episode | |||
| Episode no. | Season 5 Episode 22 |
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| Directed by | Jeffrey Bell | ||
| Written by | Joss Whedon Jeffrey Bell |
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| Production code | 5ADH22 | ||
| Original air date | May 19, 2004 | ||
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| Episode chronology | |||
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| List of Angel episodes | |||
"Not Fade Away" is the 22nd and final episode of season 5, and the series finale of the television show Angel. Written by series creator Joss Whedon and directed and co-written by Jeffrey Bell, it was originally broadcast on May 19, 2004 on the WB network. In "Not Fade Away," Angel convinces his team that they must take out every member of the Circle of the Black Thorn in a defiant and probably futile stand against the Senior Partners of Wolfram & Hart. He tells his team to make the most of what may be their last day on Earth: Gunn visits his old neighborhood; Wesley tends to the wounded Illyria; Lorne spends some time onstage; Spike performs poetry at an open mic, and Angel visits his son. When night falls, the team divides and sets out to eliminate the members of the Black Thorn, incurring the wrath of the armies of hell.
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Angel briefs his team on his plan to kill all the members of the Circle of the Black Thorn. Marcus Hamilton calls Angel to an emergency meeting of the circle, where the other members express doubts about Angel's loyalties. Angel proves himself to them by irrevocably renouncing his role in the Shanshu Prophecy, thereby giving up his chance to become human.
Back at Wolfram & Hart, Angel meets with his old enemy Lindsey McDonald and enlists him in the planned attack on the Circle. He then tells the rest of his group that the plan will proceed that night. Angel advises his friends to spend the rest of the day as if it were their last since it "probably is."
Angel visits his son, Connor. Connor reveals that he knows that Angel is his father; his old memories are now "mixed in" with his new ones, and he understands and appreciates why Angel gave him new memories.
Lorne has serious reservations about Angel's plan, and his mood is dark and somber. Lindsey spends the day with Eve, who is suspicious of Angel even though Lindsey now trusts him. Gunn spends his day helping Anne at the homeless shelter she maintains. Spike goes to a seedy bar, drinks heavily, and goes onstage to recite a poem that he originally recited in 1880. Wesley spends his day in his apartment tending to Illyria's wounds, telling her there is nothing else he wants and nowhere for him to be. She offers to comfort him in Fred's form, but he refuses the offer.
The team splits up to attack members of the circle separately, making plans to reunite if they survive their missions As they leave, Lorne tells Angel that this is the last thing he's going to do for him, and that they will never see him again. Hamilton, warned of the plan by Harmony confronts Angel, intent on stopping his killing of the Circle's leader. Angel reveals he has already poisoned Duke Sebassis. The two begin to struggle.
Gunn, Spike, and Illyria kill their targets. Lindsey and Lorne wipe out the Sahvrin clan; then, on Angel's order, Lorne executes Lindsey, drops his gun, and leaves. Wesley is killed as he knocks out Cyrus Vail; as he dies, Illyria comforts him in Fred's guise, then kills Vail when he revives.
Angel is losing his fight with Hamilton, until Connor arrives to fight on his father's side. Hamilton proudly announces that his blood runs with power, prompting Angel to assume vampiric form and drink his blood, acquiring enough of Hamilton's strength to kill him. Expecting a swift counterattack from the Senior Partners, Angel directs Connor to leave, then manages to rendezvous with his surviving allies (except Lorne).
An army of supernatural creatures descends on the group, and Angel announces "Personally, I kinda wanna slay the dragon," as the episode and series end.
In the scene in which Mercedes McNab is in bed with Adam Baldwin's character, plastic inserts in her bra are clearly visible as she turns to the side. Ironically, Jeffrey Bell jokes in the DVD commentary that she is "not a special effect," that she is quite real, despite the digitally added fake blood on her lip.[1]
Joss Whedon says of this episode, "This was not the final grace note after a symphony, the way the Buffy finale was. We are definitely still in the thick of it. But the point of the show is that you're never done; no matter who goes down, the fight goes on."[2] Whedon says that Angel is about redemption, "something you fight for every day, so I wanted him to go out fighting. People kept calling it a cliffhanger. I was like, 'Are you mad, sir? Don't you see that that is the final statement?'"[3]
Producer David Fury agrees, saying it was "the perfect way to end the series, and anybody who says otherwise is dumb." The central theme of Angel, Fury explains, is that "the fight never ends...You can't ever win but the fight is worth fighting. Any proper resolution of, 'Oh, we've defeated the demons, they've gone back to hell, let's get a beer,' just would have been absolutely wrong for that show." Part of Angel's story, Fury says, is that "everybody that he's ever been close to dies...he will always outlive the people he cares about."[4]
Christian Kane couldn't be on set for the final episode, so all the Lindsey scenes in this episode were written and shot about a month in advance.[1] Kane says that he was unhappy with the way his character ended the season, but mostly because the series ending came as a shock and "we’ve all just now gotten comfortable in our skin."[5]
Alexis Denisof, whose character was also killed in this episode, says that he "couldn't think of anything more fitting...the perfect human death of a human life."[6] Joss Whedon says he wouldn't have killed Wesley if the series hadn't been canceled, but that scene ended up being "one of my favorite moments that we shot... If you're going to go out, go out hard."[3]
Joss Whedon quashed the rumors that Sarah Michelle Gellar would appear as Buffy in an interview with TV Guide, saying he didn't want the finale to "revolve around a guest star." He added that "I want to end the show with the people who've been in the trenches together, the characters who have lived - and occasionally died - together."[7] Writer Jeffrey Bell elaborates, saying Gellar was intended to appear in the penultimate episode of Angel but couldn't make it due to other commitments. By the time the producers learned she was available for the finale, Bell says, "to force her into the very last episode to reread stuff that we already dealt with didn't make any sense."[7]
The series finale provoked mixed reaction from critics and fans, appearing on Zap2it's list of the worst series finales because "we never saw the end of the fight."[8] E! News quoted another fan as saying, "Well, that was the best first half of a season finale ever...what happened to part two?"[9] A different criticism came from Roz Kaveney, who argued that this episode was a classic example of "'Superhero Exceptionalism' - the idea that superheroes are exempt from normal considerations and entitled to ignore consequences." The characters' attempt at redemption via a single "gratuitous heroic act of defiance," Kaveney felt, was contrary to Angel's message that redemption was slowly earned one day at a time, case by case.[10] The Futon Critic named it the 4th best episode of 2004, saying "The series finale was filled with tons of great "holy shit" moments - Illyria's reaction to Wesley's death alone should be required watching for everyone - but the closing moments cut right to the heart of what the show has always been about: the good fight (and the quest for redemption itself) is always a constant struggle."[11]
Actor Boreanaz says he is "comfortable with the way they're ending it. It's very open-ended [and] goes out fighting."[12] Matt Roush of TV Guide praised the series finale, finding it "incredibly inspiring" that Angel continues to seek redemption despite signing away the reward promised by the Shanshu Prophecy. "The series retired with dignity, integrity — and, yes, soul," Roush writes.[13] This episode was nominated for a 2005 Hugo Award in the category of "Best Dramatic Presentation: Short Form."[14]
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